Bill Henson - Paris Opera Project

This is the series of work which determined me to focus on Absorption and Theatricality.

The images were taken at the Opera Theater in Paris during 1990-1991.

What struck me the most about them was the simplicity of the framing and expressions of each subject.

Details such as jewelry and facial features are enhanced by the reduced amount of light, drawing the viewers attention when looking at the images. 

She reminded me of a painting due to her elegance and facial expression.
Framing has played an important role in achieving this effect. 

 Subjects not knowing they are photographed tend to act naturally and in this case, enjoy the show they are watching. However, when the photographer is identified by the subject, his/her facial expression and attitude tend to quickly change.

 This was the best example I could find which evidences the difference between knowing that one's picture is being taken and being absorbed by the narrative developing on stage.

The full series can be found by accessing the following link:

http://www.roslynoxley9.com.au/artists/18/Bill_Henson/84/